Writers

June 20th, 2010

Buff Monster

We all know that monsters stomp Japanese cities into smithereens, strike fear into the tiny palpitating hearts of disobedient children, and wreak havoc the world over. What may come as a surprise, though, is that one monster – clad in pink, with a spiky Mohawk that’s apt to impale curious onlookers – is hell-bent on bringing new meaning to the word. And he’s doing it with art.

While the origins of most monsters are rooted in provincial folklore and mythology, much is known about Buff Monster, the pop culture chimera in question. Originally from Honolulu, Buff left O‘ahu for Los Angeles in 1997, where he began candy-coating the city with posters bearing his adopted moniker and character: a bulbous icon with X’s for eyes and devilish horns protruding from its head. For years, he inundated the streets of Los Angeles with his iconographic street art – inspired, in equal measures, by heavy metal music, ice cream, and Japanese culture – and his violently fluorescent shade of pink. His work quickly garnered the attention of everyone from Nike to Scion to Hello Kitty, all of whom he worked with on collaborative projects.

Lettering by Evil Genius.

April 21st, 2010

From Whistler to Warhol: Modernism on Paper

If you think the Honolulu Academy of Arts is simply an aging bastion of Asian art, think again. You’d be forgiven (as I was) for believing this museum was singularly devoted to art of the East. It turns out that the Academy has, buried in its collection, works by artists who have defined Modern art as we know it.

From Whistler to Warhol: Modernism on Paper, on display until July 3, unveils some of the key pieces of the Academy’s Modern collection, and it feels like a revelation. Not only does it detail, in a coherent fashion, the complex and circuitous history of Modern art, but it also sheds light on particular artists who’ve been eclipsed by the colossal shadows cast by art giants like Picasso and Pollock. What’s more, this exhibition seems to have come out of nowhere. Who was behind this show, and, more importantly, if the Academy had this incredible cache of Modern art in its collection, why hadn’t it been shown until now?

“No one knew what we had, so I embarked on this process of discovery for the past year,” Theresa Papanikolas, the Academy’s curator of European and American art, and the organizer of this exhibition, told me. A former curator at the Los Angeles County Museum of Art, Papanikolas arrived at the Academy nearly two years ago, and decided to mount an exhibition of works on paper to showcase this little-known part of the Academy’s collection.

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January 11th, 2010

NYC Transplants

It’s a city with a population of over eight million people. It’s home to Broadway, to the Museum of Modern Art, to Carnegie Hall. It’s given birth to hip-hop, to abstract expressionism, to the beat generation. It’s the home of Jim Jarmusch, of Thomas Pynchon, of Jay-Z. Its landmarks, like the Statue of Liberty, are emblematic of its endless opportunities. It’s a city with an alluring slogan (“If you can make it here, you can make it anywhere”). It’s a city that never sleeps and dreams big. It is, undoubtedly, the cultural capitol of the world: New York City. Keep Reading…

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November 4th, 2009

From the Ground Up

“By the People: The Election of Barack Obama” Documentary Screens at the Shell

“Sorry,” a security guard said, “no professional cameras allowed.” He pointed at my semi-professional-if-only-in-looks camera looped around my neck. He was an unusually large man, built, as the saying goes, like a brick house.

“Oh,” I said, confused. “But I’m with the media.”

“Check with the other entrance,” he said, hoisting an index finger the size of my arm towards the far end of the lot. I glanced in the direction to which he pointed, and it was so far down the sidewalk it seemed peopled by ants. Keep Reading…

October 11th, 2009

Through the Looking Glass

Filmmaker Christopher Yogi tackles his toughest subject matter to date: Hawaii.

To make a movie about Hawaii — one that’s entertaining and realistic to both locals and the rest of the world — is a difficult, if not impossible, task. Hawaii is so complex, so diverse a place that it’s unthinkable that any film, really, could capture its essence. Keep Reading…