If there existed such a thing as a Nation of Hawai‘i, the Kū ki‘i (statues) that reside abroad would be amongst its national treasures. Their return may be inevitable.
Honolulu Biennial's prologue exhibition promises to be an engaging and challenging "Chain of Fire."
It starts with a near perfect barrel ride at a Salvadoran surf break, closed out in a heap of whitewash and a heavy dose of foreshadowing. With short chapters that pile...

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