Amid the burgeoning and shifting queer nightlife scene in New York City, a Honolulu writer is transported to the comforts of a hometown dance club, where the faces always mirrored his own.
Film isn’t dead, and it isn’t really dying either. What was once thought to be an obsolete medium is in focus again thanks to a growing global community of photographers who refuse to be ruled by megapixels.
The Friends of HiSAM (FHiSAM) invites you to select your favorites from their Top Picks from the HiSAM Collection, by Local Art Connoisseurs.
We asked contributors from the FLUX Power issue: What’s a recent read that empowered you lately?
Set in a breezy village on the Big Island of Hawai‘i, August at Akiko’s carries dramatic weight without sacrificing the tranquil solemnity on which the film’s moody, dreamlike disposition is built.
A library of rare books on Kaua‘i represents a wide range of musings and curiosities about the natural world spanning five centuries.
As modern society struggles with the postcolonial influences of the past, Hawai‘i’s statues continue to educate and interrogate their own relevance.